#comparison

JPEG's ... A Fool's Paradise?

I LOVE Fuji's JPEG’s. Unconditionally. On one of my recent Blog posts praising (again ;-) the qualities of Fuji ACROS JPEG’s, someone commented: “RAW is the answer. Only a fool relies on the severely limited JPEG’s”. So I thought I might take a closer look at my Fool’s paradise ;-) and compare one of those beloved ACROS JPEG’s to the RAW version processed in Capture One Pro 12. Please read on if interested …

A sunlit façade in Bayreuth’s town centre, Fuji X-H1 with XF 56mm f/1.2 @f/8, ACROS-R JPEG processed in LR

It was 0730 hrs when I came across this façade illuminated by the first rays of the morning sun, giving it a glowing, nearly transparent look. After some shuffling & jostling around to find the best perspective (ya gotta be fast, coz the light changes fast at this time of the day ;-) I captured the image on my X-H1 in RAW+ACROS-R JPEG with +0.7 EV compensation. Normally Fuji’s ACROS JPEG’s are just amazing - a little curves and levels adjustments in Lightroom and you ‘re good to go. Instant art. Great images in no time!

However, when I pulled this image into Lightroom it kinda didn’t replicate the scene as I’d visualized it during capture. Everybody knows RAW files got more latitude, so I thought I’d try “fool” around a bit in Capture One Pro 12 and see if I could get closer to my original vision of the scene: A sunlit façade with that delicate, transparent look! See the result below:

The same façade, now as RAW processed in Capture One Pro 12. More as I’d originally visualized it!

What’s different here is that I could keep the light tones of the façade lighter than on the JPEG by flattening the highlight shoulder of the tone curve. This resulted in a greater separation to the dark foreground, giving the image that transparent look. Another key factor supporting this is the possibility to selectively darken the sky on the top left by reducing sensitivity in the Cyan and Blue channels and darkening the roof by reducing sensitivity in the red channel in Capture One’s Black & White tool (without affecting the tonality of the other colors). Try covering up the sky portion with your hand and you’ll see what I mean! No sir, this don’t work on the JPEG, but it does take quite a bit of time to get there. Below you can see 100% crops of the JPEG and RAW images side-by-side:

ACROS-R JPEG - more contrast & tonal seperation!

RAW work-out in Capture One Pro - transparent!

So you gotta choose: Either fast and good (JPEG) or slow and better (RAW ;-) … Which one d’you you like better? Yeah, many try to replicate their JPEG’s with the RAW files, but I think that defeats the purpose, each approach has its merits. As for me, I do like both, each image has its own distinct character - the ACROS JPEG with more tonal contrast, but having experienced the real scene the more subtle RAW image more closely represents my original impression of lightness & transparency!

Please let me know your thoughts in the comments section below or leave me a private message in my “About” page. Peace be with you & wish y’all a wonderful Easter celebration! Thanks for visiting & reading, best regards

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Fuji's 50mm Equivalent Options

A very happy new year 2019 to y’all! In my last post I explained how the main benefit of getting re-united with my X100F was fewer lost photographic opportunities, coz its small size allows me to always have her with me. Perfectly happy? Well, not quite I’m afraid. While the X100F´s moderate wide-angle lens is great for documentary / street / travel imagery (including part of the subject’s environment), I still often prefer the slightly narrower field of view of the “normal” lens for a more selective & focused field of view … Please read on to discover what options Fuji offers & what was the best solution for me!

Staircase to heaven, with Fuji X-E3 and XF 35 f/1.4R @f/2.8, 1/50 sec, ISO 1600

No problem on full frame: I got my absolute favorite 58mm “boutique” lens kinda permanently glued to my D850 right there, please see my earlier posts here and here! But wait a minute, you gotta be aware the amazing image quality comes at the cost of 1.5 kilograms pulling on your neck (and you’ll need to carry quite a substantial photo bag to boot). Ya ain’t gonna lug that kinda kit around just for fun (i.e. when not on a planned photoshoot). If you only want to have a compact camera always with you “just in case”, I found 3 options from Fuji which can solve the “I want a normal field of view in an always with you compact format” dilemma:

  1. Take an X100F and activate its digital zoom (select the 1st step = 50mm equivalent field of view)

  2. Take an X100F and attach the TCL-X100ii Teleconverter (also a 50mm equivalent field of view)

  3. Take an X-E3 (or another exchange-able lens body) with one of Fuji´s 35mm (53mm equivalent field of view) offerings: Either the XF 35mm f/1.4R or the XF 35mm f/2 R WR

To save y’all the trouble of reading until the end of this post to find out what option I chose, here the result: After much deliberation I got m’self a black X-E3 with an XF 35mm f/1.4R, please see my reasoning & details of these options below (incl. some images you can check out to help you come to your own conclusions)!

Winterdorf in Bayreuth, at max. aperture with Fuji X-E3 and XF 35mm f/1.4R @f/1.4, 1/340 sec, ISO 2000

1. X100F, using the built in digital zoom (at the 50mm setting):

A digital zoom on the X100F? Size-wize the best option, coz this feature don’t add no cost nor bulk to the X100F. But nope, it wasn’t for me. Works OK in a pinch if you got no alternative with you, but for me the quality of the digital zoom’s image don’t cut it (albeit still being better than cropping a 50mm field of view outta a regular X100F image). Apart from this the X100F’s digital zoom works in JPEG mode only (i.e. you don’t get no RAW files). See below comparison between the X100F’s digital zoom at the 50mm setting @f/2 and an image shot at a comparable field of view with the XF 35mm f/1.4 also @f/2 - compare the rendering of the twigs in the centre of the image:

Crop of X100F 50mm digital zoom @f/2, 1/4000 sec

Crop of X-E3 with 53mm (e.f.o.v.) @f/2, 1/3200 sec

2. X100F with the TCL-X100ii Teleconverter:

Had this somewhat ungainly accessory way back when I still had an X100T (2015-2016). OK the teleconverter don't deteriorate the quality of the camera's native lens but images at closer focussing distances (below 1.5m) remain soft at apertures larger than f/4 (just like with the native lens). Kinda defeats the purpose of a lens which you’d often wanna use for portraits. Although the converter otherwize has absolutely useable image quality (albeit lagging slightly behind Fuji’s prime lenses) the main issue I have with this option is its size & weight (around 600g). You do need to think about taking this set with you when not specifically on a photo mission! And the teleconverter (filter diameter 67mm!) does make the combo look more obvious to your subjects. I’m sorry I ain’t got no images here taken with the TCL-X100, but if interested please head over to Fuji vs. Fuji for a more detailed reviews!

Lanterns on the street, captured by Fuji X-E3, with XF 35mm f/1.4R @f/5.6, 1/950 sec, ISO 400

Lanterns on the street, captured by Fuji X-E3, with XF 35mm f/1.4R @f/5.6, 1/950 sec, ISO 400

3. X-E3 with a Fuji 35mm prime, the XF 35mm f/1.4R for me:

I never liked the XF 35mm f/2R WR - out of some reason all the copies I had were either de-centred or got dusty inside after a short time (bad QC?). For me THE 35mm Fuji prime is the original XF 35 f/1.4R - I’ve had a couple of these during my Fuji time, with some variations in image quality. So I was a bit apprehensive as to whether this one would be OK. As a veritable “Bokeholic” I just love those larger aperture lenses, so at least I had to try ;-) … This time I gotta say I wasn’t disappointed - my images are tack sharp, even at f/1.4 (at least in the centre)! See below comparison of my X100F with its 23mm f/2 lens to my X-E3 with the XF 35 f/1.4R at roughly the same magnification, both @f/2.8 (to at least partly equalize the X100F’s “softness” disadvantage at close focus distances):

Centre of X100F image @f/2.8, 1/60 sec

Centre of X-E3 & XF 35mm f/1.4 @f/2.8, 1/60 sec

As y’all can see, the contrast and sharpness of the 35mm is just so much better. So, I was happy I’d made the right choice! The X-E3 with the 35 f/1.4 is also quite a bit more compact and lighter than the X100F with the teleconverter, so easy to have always with me in a small bag (actually the same small bag I use for the X100F). I got only 2 niggles: The autofocus of the XF 35mm f/1.4R is quite loud (albeit being sufficiently fast with the updated firmware & processor of the X-E3) and the combo ain’t weather sealed (but then again neither is the X100F). I do also like the X-E3’s rangefinder style housing (with eyepiece located on the left side of the camera, very similar to the X100F) and its touch screen feature, allowing swipe gestures to control various settings

The gate, seen with Fuji X-E3 and XF 35mm f/1.4R @f/2.8, 1/240 sec, ISO 200


I hope you enjoyed my first post in the new year, with advice for a small hi-quality kit you can always have with you, so go out and have fun & wish you wonderful photographic opportunities this year! Please do share your experiences in the comment section below. As a last word I’d like to thank all of you who’ve spent time here for your continued support & for your valuable comments & feedback in the last year. I hope I can deliver more interesting content to you this year!

Many thanks & best wishes for 2019,

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!