Fuji Image Processing Contest: JPEG Mobile vs. RAW Desktop

Those of youse who been following my blog'll know I ain't the kinda photoshop geek who loves to spend his whole life playing around on his computer. No sir. I'd rather be out snappin', actually using my Fuji gear to capture the wonderful world around me! My mobile JPEG based workflow is what allows me to minimize time spent processing images. But that little voice in my head just don't give up: "wouldn't RAW still have been better?". Please read on if you're interested in the answer!

View fullsize

Fuji X-T2 with XF 16-55mm / f2.8, ACROS JPEG file developed in Lightroom CC Mobile

This image seems to be an appropriate guinea-pig: lots of contrast & lovely gradations of grey in-between! I always shoot RAW+JPEG, so I import:

• The JPEG's to my iPad, for mobile development using Lightroom CC Mobile, Snapseed, and
• Selected RAW's to my MacBook Pro, for desktop processing using Capture One Pro 11

Mobile development’s really fast, hey just 30secs max per image (only tweaking of curves & highlights / shadows). And really good results to boot (OK no sweat, everybody knows about the amazing quality of Fuji ACROS JPEG’s, which are mostly more than enough to get the job done!). This significantly speeds up my workflow & I can limit the more time consuming RAW development at a later point of time for those images where I really need the RAW file´s increased highlight headroom, see below the same image as above developed from RAW in Capture One Pro 11:

View fullsize

Fuji X-T2 with XF 16-55mm / f2.8, RAW file developed in Capture One Pro 11

And here some crops from the above images. Gotta say that the Fuji ACROS JPEG's are good. Really good! Can't really see a big difference between the two. OK, so the Capture One RAW has maybe a bit more definition but you really gotta do serious nitpickin' to identify it:

View fullsize

Capture One Pro 11 Pro RAW crop

View fullsize

Lightroom CC Mobile ACROS JPEG crop

But what if you wanna do that serious nitpickin' (aka pixelpeepin')? Like what about the grain? Yes, GRAIN! People grown up in the digital age don't know nothin' about it. This is what makes our images come alive, giving them character and emotion. Harking back to those magic days & (especially) nights in darkrooms, where images materialized from a blank piece of paper in the developer tray under the light of a red darkroom sun. Let's just take a look at that grain for a minute now (200% crops):

View fullsize

Grain in Capture One Pro 11 Pro RAW crop

View fullsize

Grain in Lightroom CC Mobile JPEG crop

My adjusted Capture One Style BW-15 on the left (grain dialed down from 80 to 60) does quite a good job, but I gotta admit it don't hold up to the magic Fuji´s ACROS film simulation is doing on the JPEG (right picture). Not at All! As you can see Fuji somehow manage to vary the strength of the grain depending on tonal values, reducing the effect in the highlights and accentuating it in the darker tones (just as silver halide films do). See here an interesting article explaining how this works!

Please decide for y´self what you prefer, but for me it´s really a difficult choice. So difficult I often I print my fine-art prints off slightly tweaked Fuji ACROS JPEG´s to retain this magic film-like grain effect. I can't get that from any RAW processor! Somehow a print off a "digital" looking RAW file don't seem to create that emotional connection for me (much like music played off vinyl records comparing to a CD). Call me old fashioned but I'm afraid that's how it is ;-)

Just so y'all don't get too bored looking at the same image for the umpteenth time, I added another pic I took in a Marriott hotel lobby in a far away place:

View fullsize

Marriott hotel lobby, Fuji X100F with Fujinon 23mm / f2, developed in Capture One Pro 11

So now I'm curious what you think! Did I make a convincing pitch to use JPEG´s with Fuji´s fantastic ACROS film simulation, or d´you still prefer doctoring around for long hours glued to computer screens with your RAW´s? Hey, think of it. If that extra time spent don't deliver significantly better results it´s time lost, can't ever get it back! Ain't it better to spend that extra time out taking photos? It´s up to you. With that somewhat philosophical closing line I´ll let y'all go - Hey, at the end it´s YOUR decision ;-)

Look forward to your opinions & comments - please leave me a message & I´ll answer ASAP, many thanks for your attention & for visiting! Here's to wishing you great images & a great weekend!

Best regards,

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

How to Win Time With Fuji!

Time. The “fourth dimension“. We can’t control it. We just live in time, but can’t travel in it like we can in 3 dimensional space. Moments passed can never be revisited. They only linger as memories in our mind or saved as images taken. That’s why time’s so precious, don’t waste it! Fortunately we can choose what to do with our time. It’s a very personal choice. If you’d love to maximize your free time photographing the world around you with your Fuji, I may have something interesting for you to minimize time spent image editing. Please read on to find how to win more time with your (Fuji ;-) camera:

View fullsize

Wooden Bridge, seen with XF 35 / f2 R WR on Fuji X-Pro2, JPG developed in LR CC mobile

To be faster & more efficient on the image processing bit, editing your JPEG’s with Lightroom CC on a mobile device’s the way to go: You can work while traveling or waiting at airports & it syncs your image processing seamlessly with Lightroom CC Classic on your MAC/PC. Means you can continue where you left off when you’re back at your desktop! You can then happily save up RAW files of your favorite images for those long winter evenings (when the next blizzard hits ;-) to eke out that last bit of highlight detail (which eluded you on your JPEG’s) via Fine Art editing & printing using Capture One Pro on your Mac/PC. See below a schematic representation of my workflow:

View fullsize

I usually download my JPEG images (just ACROS Black & Whites for me ;-) to my iPad Pro via WiFi using the ShutterSnitch App. IMO better than Fuji’s Camera Remote App, but a bit pricey. For that I can automatically update images´ metadata with my copyright during import & rate / sort out the ones I want to process later before exporting them to iOŚ’s photo library. From there I “add“ them to an album called ’JPEG’. I do like this coz of iOŚ’s dorky image filing system, where all images on the iPad are dumped into the camera roll: taken images, processed images, screenshots, the whole smash - all in one big mess you ain’t ever gonna find anything in. So by “adding“ your images to a separate album (or albums) you can find them easily afterwards for importing into Lightroom CC mobile. See below some screen shots of my workflow once in Lightroom CC mobile (please click on the thumbnails to see more details):

View fullsize

processing in LR CC mobile

View fullsize

when done, select ’open in‘

View fullsize

& size for web / social media

View fullsize

in Phonto App, to

View fullsize

add your copyright

View fullsize

in your preferred format 

WiFi download? Boy, you can easily go for lunch while that’s going on (Fuji JPEG´s typically got around 16Mb ;-) OR, in case you’re in a hurry, transfer them to iPad via Apple’s SD card to Lightning Adaptor, but then there’s no automatic IPTC copyright update & no way to preview images before saving them in the camera roll ...

Ok, ‘nuff said, for sure y’all interested about what settings I use for my JPEG’s (coz choosing the JPEG route means many settings can’t be modified after the fact. I always shoot RAW/F (RAW + fine JPEG’s) to always have backups of the original files, either to experiment later with differing RAW to JPEG conversions in camera, or for more precise RAW post processing using Capture One Pro. In camera I use following settings:

• ACROS-R film simulation (of course ;-)
• -1 Highlight tone
• +3 Shadow tone
• Grain effect off (ACROS film simulation already has its own grain effect!)
• -3 Noise reduction
• 0 Sharpness (more sharpening in camera creates visible artifacts)

This delivers pin sharp, contrasty black & white JPEG’s with punchy shadows & smoothly gradated highlights. And they got ACROS film simulations’s amazing tone dependent film-like grain effect! Only minor adjustments in post processing are needed, if at all. For me adjusting the images’ tone curve is the most important means to create image depth and giving them a 3 dimensional look. Please also check out Patrick la Roque’s amazing article on this topic!

Apart from the s-shaped tone curve the second most important thing for me is to accentuate the sharpness - I keep the sharpening amount low but up the detail level, see below:

View fullsize

Fall in the Park, captured by XF 35 / f2 R WR on Fuji X-Pro2, JPG developed in LR CC mobile

So, all in all no big deal. With this simple & fast mobile workflow needing only a couple moments attention for each image before uploading to my blog and/or social media I can complete post processing in no time, during commuting or while enjoying a latte in a cafe. See another example here, shot shortly after sunrise:

View fullsize

Bayreuth on Sunday Morning, XF 35 / f2 R WR on Fuji X-Pro2, JPG developed in LR CC mobile

This way I can maximize time spent on enjoying the world around me & taking images! Please let me know your thoughts, or ask me via my contact page if have any further questions / need any advice, thanks for your interest & for looking by!

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Best regards,

Hendrik

Fuji Lightroom Mobile Workflow Revisited

As promised in my previous post I´d like to share with y´all my mobile workflow, using Fuji cameras, an iPad and Lightroom Mobile! If you wanna get freed from your desktop, speed up your processing / image sharing on web and if you´re interested in becoming a more efficient photographer, please read on!

View fullsize

The Messenger, seen in Sicily with Fuji X100F, 23 mm / f2 @ f5.6, 1/320", ACROS-Y, 400 ISO

I mentioned in my previous blog post that Fuji´s ACROS film simulation with its tonality and ISO dependent grain effect delivers JPEG´s with a film-like look that can not be achieved via traditional RAW processing. These JPEG´s are so good that they liberates you forever from having to fuss around with RAW files & RAW converters (spending hours behind a computer, trying to get image quality comparable to Fuji´s amazing JPEG´s). This in turn enables a more mobile approach to photography, so get liberated & embrace a JPEG based mobile workflow!

Required equipment:

• Camera with Wifi capability (check out Fuji´s website but it can be any brand ... ;-)
• Mobile device with sufficient processing power & free space for saving images
• WiFi connectivity App to transfer images from your camera to your mobile device
• Lightroom Mobile (and Adobe Creative Cloud subscription if you want to sync to desktop) 

To get your images downloaded onto your mobile device of choice (in my case an iPad Pro 9.7"), there are 2 options (when using Fuji cameras, as I do ;-)

1. Fujifilm´s "Camera Remote App" (download free from iTunes or Google Play)
2. 2nd Nature´s "ShutterSnitch" Wireless Transfer App (download for US$ 18.99 from iTunes - no Android version yet). Expensive but IMO much better as it includes all kinds of goodies: image organisation in collections, image preview using zoom, saving to various media, metadata update (I don't use this as it re-saves my JPEG´s potentially reducing image quality slightly), etc.

While Fuji´s Camera Remote App downloads your images directly to the iPad´s camera roll, ShutterSnitch requires them to be exported (I prefer this coz it keeps my images organized outside Apple´s somewhat difficult to understand & confusing filing system). See below the procedure for ShutterSnitch, the end result in both cases is that the images you want to process end up on the iPad´s camera roll

View fullsize

How to get your images onto Camera Roll using ShutterSnitch ...

Next step is to import the images you´d like to process into Lightroom Mobile. You can stop here but if you also have Adobe´s Creative Cloud subscription (around 12-13 US$ per month) you get a seamless synchronisation between your mobile device and desktop (images processed on mobile device are updated on your desktop device when you connect to your home network & vice-versa). Cool!

Importing your images into Lightroom Mobile ...

In Lightroom Mobile you will find the familiar develop modules from the desktop version (Basic, Tone Curve, etc.) and you can adjust the settings as required:

View fullsize

Post Processing in Lightroom Mobile!

As mentioned before these adjustments are then synchronized with your Lightroom desktop version as soon as you connect to your home network (provided you have Adobe´s Creative Cloud installed)

Summing up. this mobile workflow allows you to already perform the main rough image post processing steps while on the move (mainly curves and some exposure / contrast improvement) In most cases the processing options offered by Lightroom Mobile are sufficient, so no further desktop processing is needed! :-)

I hope you enjoyed this post and you can use it to enhance your own photographic experience, please leave me a note in the comments section if anything´s unclear or if you have any further questions,

Many thanks & best regards, wish y´all a great start into the new week & lots of fun, best regards

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance!

Fuji X100F Review - 3 Reasons why "F" spells Freedom !

X100F ... ? So, what´s this "F" stand for ? Fuji says it means “the Fourth" iteration of the X100 series. Or maybe it´s to say the "Force" is with her ... (yes the X100F´s a she ;-) or it stands for Fantastic ... Hey, probably it´s a bit of all those! Well, for me the "F" on Fuji´s fourth iteration of the X100 refers to "Freedom". Freedom from the technicalities of photography, from weight, bulk, choices and complexity. Freedom to Focus on the image! Please read on to learn how the combination of the right camera, software and workflow can liberate your photography & boost your creativity:

View fullsize

F stands for Freedom! Me & Irene, myFuji X100F, with 23 mm / f2 @f5.6, 1/40 sec on ACROS-Y

Disclaimer: If youse expecting a traditional type review full of geeky tech details I gotta disappoint you (I´m sure you'll find loads of technical / feature reviews on the web). Here I´d like to focus more on how the X100F handles in everyday practical use!

I remember the day like yesterday: 2016/4/13 - the day I traded my beloved X100T for a new X-Pro2. I wanted the 24 MP resolution bump. With that and the increased processing power came ACROS - Oh boy, did I fall in love with Fuji´s ACROS Film simulation! But even though the X-Pro2 was great, I somehow could never seem to be able to come to terms with the for me too low viewfinder magnification (0,36X with 23 mm vs. 0,5X on the X100 series): looking thru that one made me feel kinda claustrophobic ... In practice I also discovered that the X-Pro2´s increase in size (vs. my X100T) was quite substantial ... How many times since then did I wish for a reincarnation of the 24 MP ACROS goodness in a smaller form factor? Well now, it´s Finally here (another "F" ;-) in form of the new Fujifilm X100F!

View fullsize

Mirrors on the Walls, seen with Fuji X100F, with 23 mm / f2 @f5.6, 1/60 sec on ACROS-Y

For me the advent of the Fuji X100F has finally brought together 3 key building blocks which have liberated my digital photography, giving me a déjà-vu back to my film days! I see 3 reasons why the "F" of the X100F means Freedom:

1. Freed of Ballast: The X100F is a compact prime lens camera delivering exceptional image quality. Working with only one prime lens on a compact camera can be very liberating: No more lugging around a big bag of kit, juggling lenses to find the best fit to the scene while the opportunity passes. With the X100F you will instead focus more on image composition, lighting, and mood and “zoom with your feet” to find new / more interesting perspectives. Chase Jarvis once said "The best camera is the one that´s with you ..." - Ok, he was referring to iPhones, but in essence this quote invokes the "Law of Inverse Proportions": The smaller your camera/lens, the higher the probability that you will (always) take it with you, have it ready when needed and get to take pictures you didn't expect to find. This will for sure boost your creativity and improve the impact of your images!
    
2. Freed of RAW: The X100F has sufficient resolution & processing power to realize the ACROS JPEG film simulation. The resulting JPEG´s are awesome, with beautiful smooth gradations and a subtle, tonality dependent grain effect (only possible with Fuji´s 24 MP X-Trans CMOS III sensor & X-Processor Pro technology). No way you can replicate this “analogue film-like look” by RAW processing, or by applying post processing filters! For me this is a strong incentive to mainly focus my workflow on JPEG´s! Only downside of the higher resolution is an increased risk of camera shake blurring your images (approx. factor 1.5x vs. what you were used to on Fuji´s 16 MP sensor)
    
3. Freed from the Desk: Focusing mainly on JPEG´s allows me to predominantly do my post processing on my iPad Pro using Lightroom Mobile. ACROS JPEG´s are so good that I only need some minor curves tweaking and maybe some local dodging/burning. Edits done on the iPad are automatically sync´d to Lightroom on my MacBook Pro. By this I significantly reduce time spent on post processing or behind PC´s, and I can do that while travelling or during lunch. By setting file saving to JPEG-F+RAW I always have the RAW files as back-up to later either (re)develop in camera with different settings or convert them in Capture ONE in case of critical lighting conditions where more fancy post processing is needed (to be honest this rarely happens btw ;-)

View fullsize

Evening drinks, with Fuji X100F, 23 mm / f2 @f2, 1/25 sec, +1EV compensation on ACROS-Y

I would like to point out three additional aspects of the Fuji X100F, which make its use less obtrusive and invasive:

• Main photographic settings (aperture, shutter speed, ISO and exposure compensation) are visible at one glance and can be adjusted via dedicated analogue dials, without needing to look thru the viewfinder or diving into menus
   
• Autofocus user interface, accuracy and speed are (finally :-) fulfilling my expectations. I mainly use zone AF setting with face/auto-eye detection ON when taking people images
   
• Flexible hybrid viewfinder: I use the OVF (Optical View Finder) mainly for people images where I want to concentrate on facial expressions and background environment. For street / landscape / storytelling photography, where composition, perspective, contrast and hi-light & shadow tone are important, I prefer the EVF (Electronic View Finder) which allows me to pre-visualise the image as it will be captured (eg. in ACROS film simulation) before even pressing the shutter release. So, no need for the dreaded "chimping" after taking each image ...)

This means, especially when photographing people, that you only need to bring the camera to your eye for a short moment just to take the picture: Check framing, press shutter, done - max 2 secs. The combination of this short time in front of your face, the fact that the camera is quite small and only covers part of your face due to its rangefinder-esque design, and the X100F being totally silent means people rarely even realize that you´re taking their picture. This results in very natural, un-posed images (try that with a DSLR! ;-) ... as example the below image I took of my lovely wife while we were relaxing on our patio:

View fullsize

Relaxing on our Patio, with Fuji X100F, 23 mm / f2 @f2, 1/60 sec on ACROS-Y

On that note I´d gotten the impression that people tend to act more relaxed around the silver version of the X100 series. Maybe a black camera´s perceived as kinda sneaky, or as "wannabe PRO" (I dunno, my X100T was black ...). At the end I decided to order a silver X100F. IMO apart from that one´s more classic "retro" look it´s got so much more character! In fact so much that this is the only camera I felt needed to be given a name: "Irene" (sounds better than "X100F", coz that could be anyone´s ;-)

Summarizing:

The "F" in Fuji´s X100F really gives you Freedom, Fuji has finally fulfilled the promise of the X100 series: A small, inconspicuous camera with a widely usable medium wide-angle focal length, delivering stunning images and able to cover most photographic applications. So you can leave all your bulky gear at home! Its compact, classic rangefinder-esque design begs you to go out and enjoy capturing images of life around you, experimenting with composition, light and perspective rather than bothering with the technicalities of photography! Furthermore the quality & beauty of Fuji´s JPEG´s (especially of ACROS) allow you to avoid having to spend hours of RAW processing in Lightroom

If you´re interested I´ll cover my improved mobile workflow in a next post, please let me know in the comments section and/or leave me any comments, suggestions or questions you may have! Many thanks in advance, I´ll answer you as soon as possible

I hope you enjoyed the read - I can only advise those of youse not yet bitten by the Fuji X100 bug to try one out soonest and experience it for y´self!

Many thanks & best regards, wish y´all good light & success

Hendrik

I hope this post was helpful / interesting for you - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !

Gotta love The Square, improved mobile workflow

The square has a magic quality - serenely balanced, a frame in perfect symmetry, having four equal sides and four equal angles, allowing the observer's eye to focus on the essentials:

View fullsize

The Holy Walk - in The Square!

Originally this image was captured in my X100T's native rectangular aspect ratio, but I never liked the unimportant areas left and right of the main motif. Cropped to square it looks so much better! Ok now, what about this "improved workflow" and what's it gotta do with this square business? Before I go into that, here another example benefitting from the attention focusing effect of the square:

View fullsize

The order - also in The Square!

Image post processing is normally independent of how I later want to use the image. The intended final image use and size do however Influence the level of output sharpening, cropping, etc. So I modified my workflow to separate these "finishing touches" steps from the actual image post processing:

1. First I perform all image post processing (exposure, contrast, levels/curves, shadow/hilight treatment, etc.) in Photogene4 on the imported JPEG. This saves the non destructive image adjustments as metadata which can be rolled back / modified at any time
2. After finishing post processing I export the resulting image as a TIFF (by selecting the appropriate export settings in Photogene4) on my iPad and copy it to a previously created "edits" album on my iPad (open 'Photos' App, go to 'All Photos' album, select latest saved TIFF image and 'Add To' the "edits" album)
3. Back in Photogene4 I open the just saved TIFF from the "edits" folder and modify output size, output sharpening, cropping and adding my copyright logo, depending on the intended final image use (web, social media, blog, print, etc.). By pressing the 'original' icon I can revert to the post processed TIFF and change the output parameters. This way I can always keep a master image file (incl. post processing) in its dedicated "edits" album

View fullsize

Enjoying the late afternoon sun in Sardegna

Of course if you're planning to use a square output format it's wize to already apply the 1:1 aspect ratio to your camera's viewfinder so you can properly pre-visualize your image in camera!

View fullsize

Early Boat

With this closing image of tourists on the ferry looking forward to new experiences, I hope y'all enjoyed the read & found something which helps you in your photographic endeavors!

Please leave me a message below or send me an email from my "about" page if you've any questions, suggestions or ideas, many thanks for your visit here and wish y'all a great, fun and satisfying holiday season!

Best regards,

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !

Fuji X100T - Fly on the Wall!

In my DSLR days people resented me shoving that "Big Mean Photo Taking Machine" into their faces, but I felt it to be my god given right as photojournalist to do so! The resulting images however always came out kinda "staged", behavior & reality changed by my presence. Since I've downsized to my Fuji X100 I can feel much more like the proverbial "Fly on the Wall", unobtrusive, fast, silent! Please read on, if you're interested how!

View fullsize

Holy walk in Bologna

With a fixed lens camera I don't anymore waste time fussing over focal lengths & secure speed by zone focusing (letting the camera adjust auto ISO). This allowed me to capture above image in the spur of the moment!

View fullsize

The order

Also had only seconds to capture this one, of the friendly lady engaged in avid discussion with the waiter - no need to manipulate the scene or ask people to stage anything!

View fullsize

Enjoying the sun

This guy was enjoying the evening sun in Sardegna, when the other guy on the right suddenly appeared! In these situations the Fuji X100T's optical viewfinder (OVF) helps to predict the decisive moment, as you can see what's happening outside the actual frame & evaluate when the picture elements will come together harmoniously

View fullsize

Early boat

With this image of passengers wondering what the horizon will bring I close shop for today & hope y'all liked this post! All images were post processed on my iPad, using my mobile workflow described in previous posts. Please let me know your thoughts by leaving a comment below, or sending me a message via my "about" page! Many thanks for looking by & my best wishes,

kind regards,

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !

Going "light" - Mobile Post Processing without PC!

So, that's it. Finally I dunnit - switched my online workflow fully to mobile, meaning: Using Fuji JPEG's, RAW developed in camera & post processed only on my iPad before uploading to my blog / social media! No more PC? Well, not quite - for those of you interested, please read on ...

View fullsize

Rainin' up?

I always capture RAW+JPEG(F)'s. This way I have the best possible sensor output (14 bit RAW) of my Fuji X100T for later making large prints (normally up to A1), using PhotoNinja RAW conversion & Lightroom on my PC. But believe you me, the workflow for getting fine art quality prints of that size off an APS/C format sensor takes a LOT of effort, is very time consuming and very expensive to boot!

On the other hand sharing images on the web luckily don't require such stunts ... The "light", On-the-Go workflow shared here - based on using the amazing 8-bit Fuji JPEG's has proven to be more than enough for web use IMO - please take a look for yourselves:

View fullsize

No guests? Deserted bar in Sardegna

I already previously shared "prototypes" of this mobile workflow on my blog, but needed to further refine some steps / choice of tools to make it more fluid & efficient, here the final 6-step workflow:

1. Capture - Fuji X100T set to RAW+JPEG(F); B(R) film sim; sharpening +1; hi-light & shadow +1; NR -1; DR, WB, ISO on auto (ISO base 200, max 1600, min SS 1/80). Configured like this the X100T acts like a "monochrome" camera with preview & review of images in contrasty B&W!
2. After the shoot, I check the images in camera & delete those which are unsharp / poorly exposed (washed out hi-lights) and/or have unsatisfactory content (this helps reduce the amount of "waste" on storage media & in my archive)
3. In camera RAW conversion of "keepers" to flat "digital color negatives", with following settings: CC film sim; color +1; hi-light & shadow -1
4. Download these "color negatives" to my iPad via WiFi, using Shuttersnitch App (which automatically updates IPTC metadata with copyright & usage rights, etc.)
5. Process on iPad into final B&W images using Photogene4 App. I did previously use Pixelmator but found the processing options in Photogene4 to be more useful (eg. hi-light & shadow recovery) and the its user interface more fluid. Only disadvantage of Photogene4 is that the healing tool can only do spot healing (instead of Pixelmator allowing me to paint over areas, but that I don't need so much anyway)
6. Finally I add my copyright text to the image, resize to 1500 pix web dimension, save to output folder and upload to my blog / social media - DONE!

Here another example - even in 8-hit the dynamic range of Fuji's JPEG's is impressive:

View fullsize

Two chairs four two?

Well, I hope this was helpful for some of you? Doing PP on iPad during traveling has seriously reduced the amount of time I needed to spend staring into a PC screen at home - Now I got much more time for taking photos (or for relaxing with a glass of fine Italian prosecco ;-)

Thanks for reading, please let me know what you think (comment below or send me email)!

Best regards,

Hendrik

I hope you enjoyed reading this post - If you like you can support me by sending me a small donation via PayPal.me/hendriximages ! Helps me run this site & keeps the information coming, many thanks in advance !